The David Cheng Interview
Conducted by
Paul Bax
When
and how did you first start your training in martial
arts?
David Cheng: I first
started training in martial arts in 1982, I believe. I
studied Choy Lay Fut, a classical Chinese gung-fu style,
in a class taught at a local recreation center in the
Silverlake area of Los Angeles, California. The
instructor was a student of the well-known Choy Lay Fut
teacher, Sifu Howard Lee. After he closed down his class,
I continued learning Choy Lay Fut with Howard Lee at his
kwoon near the Los Feliz area.
How
did you first hear about Bruce Lee and his art of Jeet
Kune Do?
DC: I first
became familiar with Bruce Lee by seeing him as the
character Kato on the Green Hornet television series and
the Batman television series. I recall reading an article
in the newspaper about his untimely death in 1973.
However, it was not until the early 1980’s that I learned
more about Bruce Lee and his art of Jeet Kune Do. One of
my friends—in fact, the same one who got me interested in
martial arts training—was a big fan of Bruce Lee and
talked about him all the time. Around this time, local
television stations started showing some of the movies
featuring Bruce Lee impersonators such as Bruce Li and
Bruce Le. Although the actors were not Bruce Lee, the
movies gave me more of an idea of what Bruce Lee and his
fighting art was about.
After I started studying Choy Lay Fut, I began
researching more about Bruce Lee and bought the
book, Jeet Kune
Do: The Art and Philosophy of Bruce
Lee, written by
Dan Inosanto. Reading that book ignited a desire within
me to learn JKD.
How
and when did you start training in
JKD?
DC: Inosanto’s
book discussed the Filipino Kali Academy in Torrance
where JKD was taught. By the time I read the book, the
Academy was no longer in existence. I came to learn,
though, that Inosanto now had an academy in Marina Del
Rey on Glencoe Avenue. I visited the Academy several
times and was impressed with the training that I saw. I
finally made the decision to join in 1984. As a new
student, I started in an introductory class and then
moved on to the Phase 1 class. I was introduced to some
of the elements of JKD and Filipino kali/escrima in these
classes.
What
was it about JKD that led you away from traditional
martial arts?
DC: From reading
about JKD and watching the classes at the Inosanto
Academy, I could see that JKD was a more practical art
geared for self-defense. In my Choy Lay Fut classes there
was a lot of emphasis on building a strong horse stance,
doing forms, and practicing limited two-man drills. After
a few years of training, I did not feel I was really
learning how to defend myself. One turning point was a
conversation I had with Bob Mendel, a senior student at
the Choy Lay Fut school and a freelance writer. I had
read an article he wrote in which he compared Choy Lay
Fut training as taught by Howard Lee, to JKD/Escrima
training, as taught by Dan Inosanto. I remember him
saying that both approaches eventually got you to the
same place, but Choy Lay Fut just took a little longer.
So I asked myself, “Why would I want to continue on a
path that would take me longer to become proficient?”
JKD has gone through a lot of phases
over the years due to different theories on how the
art should be taught. What is your take on the
“Concepts” vs. “Original” controversy?
